Far from the beach, but still surrounded by treasure of all kinds just ready to be found, looked at, gloated over, gleaned and swiped or simply created! Here are my latest finds....
Wednesday, December 25, 2024
Peace and Beauty... Assumption of the Virgin
Wondering why I just cannot 'feel' the Christmas mood anymore, be it in France or England, nor experience any desire to spend time trudging around shops, I wandered around the Victoria and Albert Museum for hours instead! Although I failed to recover the festive spirit in any sense whatsover, I did have a wonderful visit, especially on returning to the stunning Cast Courts. This time, the calm and beauty of one of the vast copies on display caught my attention; a section of a Baldacchino (tabernacle) representing the Virgin and angels, in a sculpted depiction of the Assumption. Almost 700 years old, the original work completed in 1359, is set in the Orsanmichele Church in Florence, commissioned just after the passing of the Black Death. The tabernacle structure served to frame a painting of the Madonna (by Bernardo Daddi), but I think it wholeheartedly stole the show! The details of the cast of the carved marble, with intricate features further highlighted by what was originally inlaid gold, glass, and lapis lazuli, creates a uniquely delicate effect that perhaps reflect the influence of the artist's background as son of a goldsmith. The sculptor responsible for its creation was Andrea di Cione - known as l'Orcagna - (c. 1308–c. 1368), and although he was known for his work as painter, poet and, of course, sculptor, his name is perhaps largly overlooked today...
In fact, the Assumption is just one of two scenes represented on the large sculpted relief of the tabernacle for in the lower section of the work is the Dormition of Mary, with her demise. In the upper section, as shown here, we see the Virgin as she levitates within the oval form that is symbolic of sacred figures - the mandorla (Italian for 'almond') -
which is grasped by the angels that bear her to heaven. I love the angels' expressions and postures as they busily accompany Mary in her spiritual ascent, their forms floating on the clouds that shroud their angelic feet! Well, after over 4 hours in the museum, my own feet were feeling decidedly unangelic but I felt so elated to see such incredible works that lift you no matter how you initially feel....
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